Artwork

Fabio Bressan used 3DGS for capturing designers in ITS 2025.

A trailblazing campaign out of Australia shows the incredible promise of gaussian splatting.

Two years after its filming, the music video for Borderline releases with several NeRFs.

Eric Chen has been using 3DGS to create art.

Amidst the surge of innovative research, we highlight a particularly creative application of radiance fields that has caught our attention. Paolo Tosolini, María Sánchez Isaza, and the Bellevue College XR Lab have created an interactive photorealistic drumset with educational components.

The prevalence of radiance fields in prominent music videos is on the rise. It was only two weeks ago that we saw Usher release a music video featuring Gaussian Splatting technology from Postshot. Today, our focus shifts to "Sorrys and Ferraris," the latest release from Polo G.

It's been a little bit since we've seen radiance fields pop up in high profile music videos. On Friday that changed when Usher released his music video for the song, "Ruin" featuring Pheelz.

Over the past couple of years, there has been a small community of creators who have been experimenting with and publishing their work with radiance fields. One of these creators is Ruben Fro.

This Sunday, the Greenpoint Film Festival in Brooklyn will become a hub for groundbreaking discussions in the realm of AI and filmmaking.

In the evolving landscape of digital storytelling, Neural Radiance Fields (NeRFs) have emerged as a groundbreaking tool, transcending their initial use in music videos and effects-laden films to more nuanced applications.

Imagine stepping onto a set that feels like a futuristic version of picture day, only to realize you're part of a groundbreaking moment in entertainment technology.

Today we're announcing the FIRST EVER NeRF art exhibit, featuring some of the most NeRF creators.